There is nothing like a long walk in a small town, especially one you know and love. I got in 6700 steps this morning in my home town. Let me tell you about my walk.
I start on the south side of town, where Mom's apartment is located. I head straight north, past a beautiful brick house that has a large maple where the birds are chattering briskly, getting caught up on all the gossip from the night before (who slept with who? who knows?) Roses line the sidewalks, losing their petals now, but still brilliantly pink and dark red where the flowers cling to the stalk.
You have to be careful walking on the sidewalk. There are so many old, mature trees lining the streets that the roots have poked the concrete in spots, so if you're not careful you can do a header. Roller skating is definitely not doable on some of these sidewalks.
As I pass in front of houses, in the space *between* houses, I hear the grain elevator on the west side of town, the fans busy with a rhythmic whooshing noise as they dry the stored grain. It's too early for harvest, so this must be grain that was stored over-winter. As I cross the railroad tracks, my guess is confirmed. I see fat yellow kernels of corn lying in among the creosote covered ties, left there when one of the freight cars pass. A mouse darts out from the shrubbery lining the tracks, his cheeks full of stolen corn. I'm guessing there's a lot of fat and happy mice living within mouse-distance of the tracks.
As I reach downtown, I turn left (west) and walk along the last residential street before the downtown begins. One corner has two churches, and a sign in front of one says "Free ice cream, every Wednesday, kindergarten through fifth grade, 3 to 5." That's after school entertainment, indeed. I pass a couple of other walkers, each with a dog, and we smile and nod and agree it's a beautiful morning.
I reach my old house, where I grew up and I take another left, heading south. A man on a bicycle passes me. He's wearing a tie and dress pants, has on a helmet, and is carrying a paper cup of coffee-to-go in one hand, and steering with one hand. No need to worry about traffic here, since it's only three blocks to town and that's probably where he's headed. We smile at each other and agree it's a beautiful morning.
I start to zigzag, going east and west along quiet residential streets, delaying the time I have to return inside. On one of my 'zigs' I spy a woman crouched over a tangle of flowers in her front yard, camera in hand. As I approach, she says, "It's a Hawkeye spider, see?"
I join her in peering and see that, yes indeed, there's a big black-and-yellow spider dangling in a web, highlighted by morning dew. The web broke in the night and the spider has repaired it, big zipper-like stitches gleaming whitely with spider-juice and still thick from where it was woven. The intricate precision is amazing, the delicate edges blending perfectly with the old pieces of web.
The woman looks at her camera. "I've been trying to get his picture every morning. I won't know if they are any good until it gets developed." I nod and agree, wondering when was the last time I talked to anyone who used film in their camera -- or who had a camera as large and clunky as the one she held. I wonder, too, if she'll wait with anticipation for those pictures to come back from the developer. In our town, pictures are 'sent out' and it may be three or four days before you'll see the result.
We watch the spider as it weaves, then I move on just as the seven a.m. work whistle blows. It has blown at 7 in the morning and noon every work day since I can remember. I thought it was used for the canning factory, but now that I think of it, the canning factory (long defunct) only was in operation in the summer, which made sense since we're in farming country. But that whistles blows at 7 and 12, summer and winter, so why do we have that whistle? I'm not sure. It's a mystery.
As I walk, I see someone has played Hangman on the sidewalk using brightly colored chalk. I pause to puzzle out the answer, agreeing that yes, it was a tough one ('suspend' -- who thought of that one? Was it a school fear, perhaps?) As I continue my walk, I critique landscapes, mentally removing a tree here, installing a flower bed there, trimming a shrub there or painting a house, perhaps.
Children start to appear, singly and in pairs. A young boy & girl pass me, probably in their early teens. They may be just friends, or maybe boyfriend/girlfriend. They appear to be close, but at that age it's hard to tell what that means. A young boy, probably 10 or so, passes me wearing his Cub Scout shirt, his backpack as big as his small back. He is apparently practicing something as he walks because his lips move and his hands make small gestures unless he tucks them tightly under his pack. After I pass him I look back and see him take a stance and pitch an imaginary fast ball before he hurries to catch up with friends waiting for him on the corner.
It's only after they leave my sight that I realize how odd this would be in a large town. The only school buses here are those that pick up the country kids and bring them into town. If you live in town, you walk or get a ride to school. It is not at all unusual to see young children, accompanied by slightly older children, meandering toward the schools, all of which now are on the south side of town. In my day, the schools were distributed in different spots, but now there is no more "East is least and West is best." Now all the grade school kids go to one big school. Progress, I suppose.
Dogs bark at me from their yards as I cross that dividing line that they have designated as their Protection Zone. I'm in the east side of town now, and the cemetery isn't far away. I consider going to visit Dad, but I think I'll save that for another walk. I head back to the south and west, hearing the calisthentic-sounding intonations carrying across the breeze from the high school. "On a six-count then turn -- AND -- one-two-three-four-five-six-and TURN." It takes me two or three blocks to realize it isn't physical education but the marching band, out on the football field as they practice before school.
As I head back to the apartment, I spy another 'good luck' marker on the sidewalk corner. These were printed into the pavement, indicating a junction of waterworks, just small circles or sometimes a small metal disk that showed the city maintenance workers where the pipes were. As children, we made sure to step on each one and make a wish, because they were Good Luck. So I do an awkward little dance to tap each one at each corner of the sidewalk square before going back into the nursing home to join Mom.
Tomorrow I'll go to the west side of town and explore those streets and on Sunday I'll probably visit Dad. I wonder what I'll see on those days? But I think I already know ... after all, this is my home town.
You could be doing other more interesting things than reading what I write, right?
What's Here
Scribbles and thoughts ...
These are ramblings from J L Wilson, published author of romantic suspense, mystery, and paranormal -time travel fiction....
Friday, August 27, 2010
Tuesday, August 24, 2010
Once again: the power of a tweet
I've blogged about this in the past: how I tweeted about a problem and, lo, someone saw and I got it fixed.
Worked again! A friend found an orphaned kitten, she needed some help with feeding him, etc., and I tweeted about it, and another friend saw it, and that friend now may adopt the kitten. I mean, is that cool, or what?
Just imagine if the WORLD problems could be solved that way? Just imagine if a social network could be harnessed to get everybody thinking about a problem and how to solve it.
Oh, yeah.... I'm off to think about THAT one!
Worked again! A friend found an orphaned kitten, she needed some help with feeding him, etc., and I tweeted about it, and another friend saw it, and that friend now may adopt the kitten. I mean, is that cool, or what?
Just imagine if the WORLD problems could be solved that way? Just imagine if a social network could be harnessed to get everybody thinking about a problem and how to solve it.
Oh, yeah.... I'm off to think about THAT one!
Saturday, August 21, 2010
Do all writers have this?
I was at a meeting with some aspiring writers; I was one of 3 published authors, talking to the group.
One of the other authors said something like, "I started working on a book but it was beyond my talents, so I stopped writing it. I worked on {this one} instead and I hope to return to the other one someday."
Her words really stuck a chord with me because I've been picking away at a book for a few years that I would love to have see the light of day. The problem is: I don't know if I'll ever be good enough to write the damn book. It's a multi-generational story, set in a post-apocalyptic America (sort of "Book of Eli meets the Stand with a bit of Gone with the Wind thrown in"). It's a BIG book: in fact, it will probably be six or seven books if I let it take shape the way I think it should.
I return to it every autumn, without fail. For some reason, winter's approach makes me want to work on that series.I read what I wrote and I wonder if it's good enough, but I keep writing on it, keep it moving forward.
I'll probably self-publish it some day on the Kindle or somewhere (that's the way publishing is going, isn't it? Will there be any publishing houses left?)
Does every writer have "the one that got away" from them? Do we all have that "Big Book" we want to finish? It's not necessarily The Book of My Heart, but it's a story that I just can't put down...
One of the other authors said something like, "I started working on a book but it was beyond my talents, so I stopped writing it. I worked on {this one} instead and I hope to return to the other one someday."
Her words really stuck a chord with me because I've been picking away at a book for a few years that I would love to have see the light of day. The problem is: I don't know if I'll ever be good enough to write the damn book. It's a multi-generational story, set in a post-apocalyptic America (sort of "Book of Eli meets the Stand with a bit of Gone with the Wind thrown in"). It's a BIG book: in fact, it will probably be six or seven books if I let it take shape the way I think it should.
I return to it every autumn, without fail. For some reason, winter's approach makes me want to work on that series.I read what I wrote and I wonder if it's good enough, but I keep writing on it, keep it moving forward.
I'll probably self-publish it some day on the Kindle or somewhere (that's the way publishing is going, isn't it? Will there be any publishing houses left?)
Does every writer have "the one that got away" from them? Do we all have that "Big Book" we want to finish? It's not necessarily The Book of My Heart, but it's a story that I just can't put down...
Tuesday, August 17, 2010
Why I Don't Read Literary Fiction
I just read a review of the Newest Darling of the New York Times (article is here: http://tinyurl.com/394lgdo).
This may very well be a fascinating and well-written book, but I couldn't get past the turgid prose that described the book. Any book that can be discussed in such terms tells me that (1) it will be a struggle to read and (2) will probably be depressing and (3) will probably end up being talked about for months to come. The kiss of death came for me when the reviewer mentioned David Foster Wallace, another literary wunderkind whom I have tried to read and failed. Perhaps this commentary of mine will come off as an 'intemperate blog entry' but I have the advantage of anonymity so I'm not too worried.
None of the characters sound like people I would like to know. The conflict sounds mildly depressing. What is prose that is "visceral and lapidary"? It sounds dense, whether it is nor not. Maybe I just have a quibble with the reviewer, but that review meant that I wrote off the book. No way would I read it.
And that was when I realized that I have probably never read a book that was loved in a NYT review. I also don't read Oprah books. I thought about this for a while. Heaven knows, I'm not lazy. I'm a published author, I work full-time besides writing almost full-time, I have a busy social life. Laziness is just not in my genetic makeup -- ever. I have 5 college degrees, 2 of which are in literature and 2 of which are in computer science. I got those degrees while working full-time. Trust me: I ain't lazy. I've read and analyzed British and American fiction and I know how to do it. I know Good Literature when I read it.
I finally crystallized what bugged me about this (and about other aspects of our society. That's why I set up Blog-Think-Do, my other blog). It boils down to this:
I want to be entertained. I don't watch a lot of TV (maybe an hour a day) and I go to the movies about once every two months. I don't like passive entertainment, but I do want to be entertained when I have the time. I don't want to be taught. I don't want to be led. I don't want to join other people on their journeys of self-discovery. I live in the real world. I go through self-discovery every day. I can't toss my job aside and globe-trot, nor do I care to read about those who do. Nor do I want to read about people who "struggle to balance the equation between their expectations of life and dull reality, their political ideals and mercenary personal urges." I *live* that, Mr. Reviewer. I'm *there*. I don't want to use my meager free time to read about people involved in the same struggles that I undertake.
I want to be swept away. I want a tidy mystery to occupy my mind. I want a romance, either historical or otherwise. I want real people I can identify with and I want to watch them as they encounter interesting issues and/or people and deal with them.
What do I consider 'great fiction' or 'keeper fiction'?
Little Women
One Flew Over the Cuckoo's Nest
Family Man (Jayne Ann Krentz edition)
The Bond Street Burlesque
The Man with a Load of Mischief
Jack the Bodiless
Why? Because they have CHARACTERS I like, they have a SETTING that is unusual or well-drawn, they have a CONFLICT I can relate to and they have a RESOLUTION I like. The books are usually short, succinctly written with little florid prose and lots of dialog that shows me who the characters are.
I've rambled on enough but I have one last speculation: I wonder if those books were reviewed by the NYT and if so, what the reviewer said. You know, based on that review, I might have passed on those books, too.
Maybe I just need to quit reading book reviews. Now *that's* food for thought!
This may very well be a fascinating and well-written book, but I couldn't get past the turgid prose that described the book. Any book that can be discussed in such terms tells me that (1) it will be a struggle to read and (2) will probably be depressing and (3) will probably end up being talked about for months to come. The kiss of death came for me when the reviewer mentioned David Foster Wallace, another literary wunderkind whom I have tried to read and failed. Perhaps this commentary of mine will come off as an 'intemperate blog entry' but I have the advantage of anonymity so I'm not too worried.
None of the characters sound like people I would like to know. The conflict sounds mildly depressing. What is prose that is "visceral and lapidary"? It sounds dense, whether it is nor not. Maybe I just have a quibble with the reviewer, but that review meant that I wrote off the book. No way would I read it.
And that was when I realized that I have probably never read a book that was loved in a NYT review. I also don't read Oprah books. I thought about this for a while. Heaven knows, I'm not lazy. I'm a published author, I work full-time besides writing almost full-time, I have a busy social life. Laziness is just not in my genetic makeup -- ever. I have 5 college degrees, 2 of which are in literature and 2 of which are in computer science. I got those degrees while working full-time. Trust me: I ain't lazy. I've read and analyzed British and American fiction and I know how to do it. I know Good Literature when I read it.
I finally crystallized what bugged me about this (and about other aspects of our society. That's why I set up Blog-Think-Do, my other blog). It boils down to this:
I want to be entertained. I don't watch a lot of TV (maybe an hour a day) and I go to the movies about once every two months. I don't like passive entertainment, but I do want to be entertained when I have the time. I don't want to be taught. I don't want to be led. I don't want to join other people on their journeys of self-discovery. I live in the real world. I go through self-discovery every day. I can't toss my job aside and globe-trot, nor do I care to read about those who do. Nor do I want to read about people who "struggle to balance the equation between their expectations of life and dull reality, their political ideals and mercenary personal urges." I *live* that, Mr. Reviewer. I'm *there*. I don't want to use my meager free time to read about people involved in the same struggles that I undertake.
I want to be swept away. I want a tidy mystery to occupy my mind. I want a romance, either historical or otherwise. I want real people I can identify with and I want to watch them as they encounter interesting issues and/or people and deal with them.
What do I consider 'great fiction' or 'keeper fiction'?
Little Women
One Flew Over the Cuckoo's Nest
Family Man (Jayne Ann Krentz edition)
The Bond Street Burlesque
The Man with a Load of Mischief
Jack the Bodiless
Why? Because they have CHARACTERS I like, they have a SETTING that is unusual or well-drawn, they have a CONFLICT I can relate to and they have a RESOLUTION I like. The books are usually short, succinctly written with little florid prose and lots of dialog that shows me who the characters are.
I've rambled on enough but I have one last speculation: I wonder if those books were reviewed by the NYT and if so, what the reviewer said. You know, based on that review, I might have passed on those books, too.
Maybe I just need to quit reading book reviews. Now *that's* food for thought!
Saturday, August 14, 2010
A week of blog talk
For some reason, the way it worked out, I blogged three times this week. I either set up blogs somewhere to be released, I blogged that day, or I had a scheduled blog release.
I was at a writer's meeting and we were talking about social networks (Facebook, Twitter, etc.) and I mentioned scheduling blogs and tweets. Most folks hadn't heard about that, so I told them how it works and many folks had a "wow" moment -- you can blog when YOU feel like it about something that you're curious about, schedule it, and let it go when you need a blog. What a great convenience!
I think people often feel tied to their computers because they "should" do something at a certain time, but scheduling makes life so much easier. In fact, I'm off to schedule some blogs right now!
In case you're curious, here's where I blogged this week:
http://tinyurl.com/2bxowh4
http://tinyurl.com/3xe7de7
http://tinyurl.com/296uphy
Stay tuned. More are coming ....
I was at a writer's meeting and we were talking about social networks (Facebook, Twitter, etc.) and I mentioned scheduling blogs and tweets. Most folks hadn't heard about that, so I told them how it works and many folks had a "wow" moment -- you can blog when YOU feel like it about something that you're curious about, schedule it, and let it go when you need a blog. What a great convenience!
I think people often feel tied to their computers because they "should" do something at a certain time, but scheduling makes life so much easier. In fact, I'm off to schedule some blogs right now!
In case you're curious, here's where I blogged this week:
http://tinyurl.com/2bxowh4
http://tinyurl.com/3xe7de7
http://tinyurl.com/296uphy
Stay tuned. More are coming ....
Subscribe to:
Posts (Atom)