I think there's something to that idea, that every 7 years we need a change. It seems like every time I take up something new, I spend about 7 years going at it very intensively.
Needlework: I spent quite a few years learning, perfecting, and entering contests. Then when I won enough ribbons, I quit.
Gardening: I spent about 7 years getting a college degree in horticulture, and about that long doing some intensive landscaping. Then I slacked off.
Writing: I've been at it now since 2003, and it's starting to lose its appeal. I'm in my 5th year of publishing, and the enthusiasm is starting to wane.
What will be the next Thing? Where will I put my energy in the next decade?
I can't wait to find out ... I'll probably still write, still do some needlepoint, do a bit of gardening. But what will be that New Thing that will fire me with enthusiasm?
Stay tuned as we all find out.
You could be doing other more interesting things than reading what I write, right?
What's Here
Scribbles and thoughts ...
These are ramblings from J L Wilson, published author of romantic suspense, mystery, and paranormal -time travel fiction....
Showing posts with label writing struggles. Show all posts
Showing posts with label writing struggles. Show all posts
Friday, May 20, 2011
Saturday, October 09, 2010
This is what it should be like ...
I forgot how much fun it was to write novels.
That sounds odd from someone who has 5 books out this year, but this summer was a challenge. I was working on a book that was like pulling teeth. I just didn't feel INTO the book. I wasn't in the characters' heads, I didn't feel their emotions. I was going through the motions.
Then, on vacation, I had an idea for a completely different kind of book. And suddenly my writing mojo is back.
This tells me a very important thing about me: my writing is, at least at first, 90% inspiration. After that it's 100% craft, but if I don't have that initial kick of inspiration, it's a P.I.T.A. to write.
So, lemons/lemonade. Clouds/silver lining. You know the schtick.
Back to the book. It's getting good ...
That sounds odd from someone who has 5 books out this year, but this summer was a challenge. I was working on a book that was like pulling teeth. I just didn't feel INTO the book. I wasn't in the characters' heads, I didn't feel their emotions. I was going through the motions.
Then, on vacation, I had an idea for a completely different kind of book. And suddenly my writing mojo is back.
This tells me a very important thing about me: my writing is, at least at first, 90% inspiration. After that it's 100% craft, but if I don't have that initial kick of inspiration, it's a P.I.T.A. to write.
So, lemons/lemonade. Clouds/silver lining. You know the schtick.
Back to the book. It's getting good ...
Tuesday, June 02, 2009
So you want to be a rock star ....
One of the fascinating things about my publishing experiences has been to watch as other authors I know get published. I was one of the first in my 'group' (critique partners and assorted friends) to be published. Many, many others have been published since my first book came out in 2007. Now, 10 books later, I have a different perspective on publishing than I did. And what's interesting to me is to watch as others undergo sea changes, too, as their publishing journeys continue.
I recently wrote an article for my local RWA chapter about how I manage to hold down a full-time job, have time for family and also write 4-5 books a year. I gave the obvious advice: "just sit down and write", "be disciplined", "learn your craft so you're not constantly rewriting"... An important point was "learn your voice." Once I figured out the type of writing I was good at (1st person mystery), writing became easy.
One other bit, though, was "define success for yourself." I promised myself to stay in publishing as long as I had fun doing it. If this became a real 'job' then I'd quit. Who needs that? I already have a full-time job that's tolerable but not particularly enjoyable. If my writing becomes annoying, then why do it? It's not lucrative (I make money at it, sure, but I'm not rolling in dough). I used to say that I want to be the Nora Roberts of ebook publishing: have 3-4 books a year, build a name for myself, and continue to write into the sunset.
I'm seeing friends now who are struggling to define what success means to them. Does it mean having your book on a certain shelf at Border's? Is it to get a New York contract? Is it to snag that particular agent and get them interested in your work? I think every author has to define this for himself/herself. You could use the "New York Times best seller list" but we know that's crap -- it's just a certain amount of data reported at a certain point in time. You could use $$ earned versus $$ spent, but I'm not sure if that's valid -- I'd spend a certain amount of money on conferences and workshops whether I was published or not.
Maybe it's a certain inner satisfaction to know that your stories are being read and appreciated. I love getting mail from people, commenting on my books. But even if I don't get mail, I'm still happy the books are out there.
In the long run, I keep coming back to my formula for success:
Do I enjoy doing it?
+ Can I fit it into my current lifestyle?
- Do I need to do uncomfortable things to succeed (some promotion, for example)
+ Is it relatively easy for me to do?
=
I'm successful at what I'm doing
So far, so good .....
I recently wrote an article for my local RWA chapter about how I manage to hold down a full-time job, have time for family and also write 4-5 books a year. I gave the obvious advice: "just sit down and write", "be disciplined", "learn your craft so you're not constantly rewriting"... An important point was "learn your voice." Once I figured out the type of writing I was good at (1st person mystery), writing became easy.
One other bit, though, was "define success for yourself." I promised myself to stay in publishing as long as I had fun doing it. If this became a real 'job' then I'd quit. Who needs that? I already have a full-time job that's tolerable but not particularly enjoyable. If my writing becomes annoying, then why do it? It's not lucrative (I make money at it, sure, but I'm not rolling in dough). I used to say that I want to be the Nora Roberts of ebook publishing: have 3-4 books a year, build a name for myself, and continue to write into the sunset.
I'm seeing friends now who are struggling to define what success means to them. Does it mean having your book on a certain shelf at Border's? Is it to get a New York contract? Is it to snag that particular agent and get them interested in your work? I think every author has to define this for himself/herself. You could use the "New York Times best seller list" but we know that's crap -- it's just a certain amount of data reported at a certain point in time. You could use $$ earned versus $$ spent, but I'm not sure if that's valid -- I'd spend a certain amount of money on conferences and workshops whether I was published or not.
Maybe it's a certain inner satisfaction to know that your stories are being read and appreciated. I love getting mail from people, commenting on my books. But even if I don't get mail, I'm still happy the books are out there.
In the long run, I keep coming back to my formula for success:
Do I enjoy doing it?
+ Can I fit it into my current lifestyle?
- Do I need to do uncomfortable things to succeed (some promotion, for example)
+ Is it relatively easy for me to do?
=
I'm successful at what I'm doing
So far, so good .....
Wednesday, November 26, 2008
A day late ...
... but not a dollar short -- I typed "The End" last night to my latest WIP.
This book gave me Fits with a capital "F". I couldn't get into the plot, I wasn't involved with the characters, yada yada yada. I finally realized that I was trying to make it Character A's book and it was really Character B's book. So I went back, changed a few things, beefed up Character A's role but made it Character B's book. Once I did that, it went a lot better.
So now I can truly relax over this holiday. I have to do a ton of promo which I let slack while I was writing and I have to cook and get the house decorated for Christmas, but hey, those things are easy compared to struggling with a book that doesn't want to be written!
This book gave me Fits with a capital "F". I couldn't get into the plot, I wasn't involved with the characters, yada yada yada. I finally realized that I was trying to make it Character A's book and it was really Character B's book. So I went back, changed a few things, beefed up Character A's role but made it Character B's book. Once I did that, it went a lot better.
So now I can truly relax over this holiday. I have to do a ton of promo which I let slack while I was writing and I have to cook and get the house decorated for Christmas, but hey, those things are easy compared to struggling with a book that doesn't want to be written!
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